Anurag Kashyap's Journey into South Indian Cinema Begins with Kannada Classics 'Om' and 'A'

In a recent interview, Bollywood's renowned filmmaker Anurag Kashyap revealed his initial exposure to South Indian cinema was through the acclaimed Kannada films 'Om' and 'A'. Kashyap, known for his gritty storytelling and raw cinematic style, shared how these films not only introduced him to the rich tapestry of South cinema but also left a significant impact on his own approach to filmmaking.

'Om', directed by Upendra in 1995, is often cited as a landmark film in Kannada cinema for its innovative narrative structure and its bold depiction of the underworld. Kashyap, who has always been vocal about his admiration for films that push boundaries, found a kindred spirit in Upendra's directorial vision. "Om" was not just a film for Kashyap; it was an education in narrative complexity and character development, elements he would later adapt in his own works like 'Gangs of Wasseypur'.

Similarly, 'A' from 1998 further cemented Kashyap's interest in South Indian narratives. This film, also directed by Upendra, is remembered for its reverse screenplay, a technique that Kashyap praised for its originality and boldness. The film tackles dark themes like the casting couch in the film industry, resonating with Kashyap's own thematic explorations of the darker sides of society.

Kashyap's admiration for Upendra didn't stop at watching his films; he took it upon himself to visit Upendra on the sets of his self-titled movie 'Upendra' in Mangaluru. This visit was a testament to Kashyap's respect for Upendra's craft and his desire to understand the filmmaking process in a different cultural and cinematic context. During this visit, Kashyap likely absorbed the raw energy and innovative spirit that defines much of Upendra's work, influencing his own filmmaking philosophy.

What makes this story particularly intriguing is how it highlights an often overlooked aspect of Indian cinema - the cross-pollination of ideas and styles between Bollywood and South Indian cinema. Kashyap's journey from being a viewer to a visitor on set illustrates a bridge of mutual respect and learning between these two vibrant film industries. His acknowledgment of South cinema's impact is a nod to the diversity and richness of Indian cinema, showcasing how filmmakers can inspire each other across linguistic and regional boundaries.

This interaction not only reflects on Kashyap's eclectic taste but also underscores the importance of looking beyond one's immediate cultural milieu for inspiration and innovation in cinema